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        <title>Jazz band, Rock music for your dance, wedding, party, from Salt Lake City, Utah - Kevin Flynn - Blog</title>
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            <title>Bossa Nova is Boss</title>
            <link>http://kevinflynnjazz.com/blog.html/bossa_nova_is_boss</link>
            <description><![CDATA[<p>Just learned a bossa nova to add to the band reportiore - TRISTE by Jobim. &nbsp;I realized that I didn't have any bossa novas memorized, so I looked through the Real Book and Realized that there's a bunch of 'em in there and they're all great jazz tunes. &nbsp;I love Brazilian music so I've got some woodshedding to do to learn them all: Girl From Impanema, Wave, Desafinado, Corcovado, One note Samba, How Insensitive, Meditation,........ ...the list goes on and on...</p>]]></description>
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            <pubDate>Thu, 29 Mar 2012 16:59:26 -0700</pubDate>
            <source url="http://kevinflynnjazz.com/blog.html">Jazz band, Rock music for your dance, wedding, party, from Salt Lake City, Utah - Kevin Flynn - Blog</source>
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            <title>Peaks Jazz Festival was Fantastic</title>
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            <description><![CDATA[<p>I went to the Peaks Jazz Festival down by Lehi, attending some of the clinics put on by the guest artists, and also the Saturday night concert. &nbsp;The improv clinic by Ed Calle was pretty good, his emphasis was on learning the chord scales inside and out at lightning speeds. &nbsp;He talked about the importance of the melodic minor scale, and how its modes provide a scale for just about any chord. &nbsp;For me, learning scales never helped me to improvise - you've got to learn a vocabulary of licks and patterns, which are based on the scales. &nbsp;Practicing licks, repetition, repetition, repetition....thats the only way I've learned to improvise. &nbsp;Its just like learning a foreign language - constant repetition of word, phases, sentences. &nbsp;I also went to the Jody Espina clinic on mouthpieces, and it was very informative, almost convinced me to try a Jody Jazz mouthpiece. &nbsp;Someday I might try something else out, but I love my Ernie Northway hard rubber mp. &nbsp;The concert was incredible, each of the bands in Caleb Chapmans program performed, so you got some funk/soul, some ska, some big band swing, some ethereal jazz combo, all joined by the guest artists. &nbsp; The energy and tightness just blew me away. &nbsp;Hard to believe that they were all Jr. High and High School age kids.</p>]]></description>
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            <pubDate>Thu, 08 Mar 2012 21:44:43 -0800</pubDate>
            <source url="http://kevinflynnjazz.com/blog.html">Jazz band, Rock music for your dance, wedding, party, from Salt Lake City, Utah - Kevin Flynn - Blog</source>
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            <title>Valentines eve gig</title>
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            <description><![CDATA[<p>Played up in Park City at the Park Meadows country club for V.D. evening and had a great time playing mostly jazz with the full band. &nbsp;During the dinner hour we were asked a couple of times to turn the volume down, so we were playing at a whisper when a third request came in. &nbsp;Dan the joker, pulled the plug going from his keyboard to his amp, and then kept on playing - at least thats what I thought he was doing because we couldn't hear a thing! &nbsp;His fingers were moving but no sound. &nbsp;He gave them the "silent treatment" until they finished dinner and started dancing. &nbsp;There's never a dull moment with Dan in the band.</p>]]></description>
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            <pubDate>Thu, 16 Feb 2012 17:47:48 -0800</pubDate>
            <source url="http://kevinflynnjazz.com/blog.html">Jazz band, Rock music for your dance, wedding, party, from Salt Lake City, Utah - Kevin Flynn - Blog</source>
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            <title>Terence Blanchard concert</title>
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            <description><![CDATA[<p>Went to the Terence Blanchard concert last Wed. night at the Capitol theater and he had some incredible musicians with him but every song was of the "free jazz" avant-garde genre that doesn't float my boat at all. &nbsp;I tried to find a rhythm to tap my foot to, a melody, a harmonic structure for a reference point, but they were all playing "outside". &nbsp;Like Bill Evans said, without a reference point like a melody or harmonic structure to call home, playing outside the changes doesn't mean much, because if its all outside, then none of it is, its just a chaotic cacophony.</p>]]></description>
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            <pubDate>Mon, 06 Feb 2012 10:43:32 -0800</pubDate>
            <source url="http://kevinflynnjazz.com/blog.html">Jazz band, Rock music for your dance, wedding, party, from Salt Lake City, Utah - Kevin Flynn - Blog</source>
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            <title>Making progress</title>
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            <description><![CDATA[<p>Had a good practice today, and tested out a new pad design on my soprano sax to achieve portamento (sliding from one note to the other like a trombone or violin can do). &nbsp;I'm hoping too convert all my pads but the small ones will be a challenge.</p>]]></description>
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            <pubDate>Thu, 26 Jan 2012 12:50:51 -0800</pubDate>
            <source url="http://kevinflynnjazz.com/blog.html">Jazz band, Rock music for your dance, wedding, party, from Salt Lake City, Utah - Kevin Flynn - Blog</source>
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